3000 days of archives related to the optics and glasses frame industry
The book is a visual journey through the forgotten corners of the eyewear industry. Some untold stories, brands, objects, and people who shaped its evolving landscape. The collection was started in 2018 by the Bidules team, it is an ongoing project, taking no claim to meaning, blending scano-graphy and photography to explore fragments of a trade shaped by time, chance, and memory.
The publication was developed under the creative direction of Mathys Dos Santos, a 23-year-old Brussels-based photographer with a focus on archival storytelling and small print-run publishing.
Published by Bidules, the book is a testament to the richness of forgotten material culture, placing itself at the crossroads of visual culture, industrial design, photography and archival research, documenting a lesser-known sector of the eyewear history through a curated lens.
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3000 days of archives related to the optics and glasses frame industry
The book is a visual journey through the forgotten corners of the eyewear industry. Some untold stories, brands, objects, and people who shaped its evolving landscape. The collection was started in 2018 by the Bidules team, it is an ongoing project, taking no claim to meaning, blending scano-graphy and photography to explore fragments of a trade shaped by time, chance, and memory.
The publication was developed under the creative direction of Mathys Dos Santos, a 23-year-old Brussels-based photographer with a focus on archival storytelling and small print-run publishing.
Published by Bidules, the book is a testament to the richness of forgotten material culture, placing itself at the crossroads of visual culture, industrial design, photography and archival research, documenting a lesser-known sector of the eyewear history through a curated lens.
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The book is a visual journey through the forgotten corners of the eyewear industry. Some untold stories, brands, objects, and people who shaped its evolving landscape. The collection was started in 2018 by the Bidules team, it is an ongoing project, taking no claim to meaning, blending scano-graphy and photography to explore fragments of a trade shaped by time, chance, and memory.
The publication was developed under the creative direction of Mathys Dos Santos, a 23-year-old Brussels-based photographer with a focus on archival storytelling and small print-run publishing.
Published by Bidules, the book is a testament to the richness of forgotten material culture, placing itself at the crossroads of visual culture, industrial design, photography and archival research, documenting a lesser-known sector of the eyewear history through a curated lens.
